“borders… are just as important within the composition to help the viewer understand the work.”   Continuing in a series of posts intended to offer guidelines in renewing the Gothic style, let us consider the division spaces within the composition. While sacred art draws us into sacred time, the imageContinue Reading

“The border around sacred art … alerts us that we are crossing over into something special, something sacred.” Following the example of the Iconographic, if we want to revive Gothic as a living tradition we need to start offering some rules or conventions to guide artists who wish to workContinue Reading

“Embrace your authenticity. Be the person God meant for you to be with all your quirkiness and eccentricities.” Beauty vs Authenticity In his book “Blink,” Malcom Gladwell recounts the story of the “Getty Kouros.” In 1984 the J.Paul Getty museum unveiled its latest acquisition, a two thousand year old marbleContinue Reading

“Sacred art is not about depicting peoples and events as they actually looked” Naturalism vs Abstraction The underlying foundation of the Gothic form is the Iconographic. That is, the Gothic form builds on the Iconographic. The artists of the Medieval period worked in a visual language that was partly receivedContinue Reading

“While we may no longer be an illiterate society, we are quickly becoming an aliterate one.” Teacher and Storyteller Artists can take on many roles. In the Middle Ages, artists working in the Gothic form often took on the roles of teachers and storytellers. There is perhaps no better exampleContinue Reading